Tuesday, 25 February 2014

Joyce's Portrait on stage in Kilmallock this Sunday 8th March

The New Theatre & Richie Ryan Promotions present A Portrait of the Artist as a Young Man
Following it's sold out run in Dublin, The New Theatre, Dublin brings James Joyce's early masterpiece to Friars’ Gate.
In the name Stephen Dedalus, he adopted in this, Joyce signalled his need to escape the nets he claimed Ireland would trap him in – religion and nationality. He would seek to fly “above these nets”. Unique among his contemporaries he laid claim for the artist’s freedom from such temporal concerns to “forge the uncreated conscience of his race”. Thus began his lifelong task of sketching the universal human condition he had observed around him in Dublin in the real lives of ordinary people.
In the course of A Portrait, which covered the first decades of his life, we see him creating his own individual aesthetic, as opposed to the dictates of the Church. He is already aware of the beginnings of new European writers such as Ibsen, and leaves Ireland to live mostly in poverty, but at liberty to seek nourishment from other cultures. The novel eventually published in 1916, contains some of the most dramatic scenes in modern literature.
Adapted by Tony Chesterman
Directed by Jimmy Fay
entertainment.ie
'imaginative and graceful… quirky and highly visual approach.' Emer O' Kelly, Sunday Independent
Cast
Charlie Hughes
Katie O'Kelly
Lauren Farrell
Marcus Lamb
Patrick O'Donnell
Tickets €15/€12


Monday, 6 January 2014

Apologies.....

To all who follow this blog....    Lack of posts and interesting comment...  All missing for last few weeks....  Back with enthusiasm from tomorrow!

Monday, 2 December 2013

On the Nail Literary Gathering in Limerick City


On The Nail
Tuesday 3 December @ 8.00pm



Limerick Writers' Centre presents 'On The Nail Literary Gathering' with guest poets Gene Barry and Joe Sweeney. There will also be an open-mic session.

The Loft Venue, at the Locke Bar
Georges Quay, Limerick

Saturday, 16 November 2013

Bloomsday 2014

We are in the middle of planning for next years Bloomsday! If you are a Joycean, or have dramatic qualities......     In any way, we would be delighted to have you involved. This will be our 6th year . We will have main events in Bruff, but also hope to have some pre events in Limerick City. Maybe some exciting news soon about a a film premiere as part of festival . Short film now in production of modernised version of "Two Gallants"

Thursday, 14 November 2013

Listen or Sing check Limerick Writers Centre for report!


Limerick Writers' Centre Presents

'On the Square' Songwriters & Open-Mic Music Session
8.30pm @ The Square Bar,
John's Square, Limerick
Thursday 14th Nov 8.30pm
The ‘On the Square’ Songwriters & Open-Mic Music Session, upstairs in The Square Bar, St John’s Square, Limerick is situated in the heart of Limericks new artistic quarter. The session, hosted by Sean MacLeod, takes place every second Thursday at 8.30pm and welcomes musicians and singers to perform either their own original material or their favourite songs.
Special guest this week is Chris Wood. Chris Wood has been playing the guitar and writing songs for nearly 20 years. Absorbing musical ideas from rock, folk, flamenco, blues, classical and African music he has developed his own intricate style of guitar playing and composition. Chris has taught the guitar in various formats for seven years and three years ago founded the Three Songs open mic night in the White House, Limerick.  More recently he has been involved in the Limerick Songwriters sessions in the Locke Bar and The Blue Frog in Ennistymon.
We welcome a wide variety of musical styles, from folk to alternative to spoken word. So if you want to take part come along early and sign up for the open-mic.

If you wish to play contact Dominic Taylor at limerickwriterscentre@gmail.com to book a spot or turn up on the night.

Work in progress finished on this day

On 13 November 1938 Joyce finished writing Finnegans Wake.


Tuesday, 12 November 2013

Bord Gais Book Club Review of The Goldfinch

Bord Gáis Energy Book Club reviewed the long-awaited novel by Donna Tartt…find out if it was worth the wait.
The ‘Goldfinch’ by Donna Tartt
In The Goldfinch, we enter the world of Theo Decker who we find holed up in an Amsterdam hotel at the beginning of the novel. Why he is there is hard to tell, though we can guess that the painting of the title has something to do with it. Taking us back to where it all went wrong and to what Theo describes as “the dividing mark”, we hear of the fateful day when he came to have the painting in the first place but also, crucially, to lose the only person in the world who truly loved him.
After his Mother’s death, his alcoholic father who had previously disappeared is un-traceable and he is sent to the house of geeky friend Andy Barbour, who he had once saved from bullies. Though the upmarket Barbour family are kind and interested hosts, it seems they have taken him in more for the adulation of society pages and when Theo’s father eventually returns, new white trash girlfriend in tow, he is immediately packed off to Vegas. In a new house in a deserted estate, Theo is largely left to himself despite being only 13 – his father and new girlfriend (“Xandra with an X”) spending most of their time in the city where, Theo later finds out, they earn their new-found money from drug-dealing and gambling. His loneliness and longing for home are only eased when he meets Boris, a boy in his school with a dead mother and similarly neglectful, but violent father. They strike up a very close bond that soon has Theo involved in Boris’ self-destructive ways with shop-lifting, drugs and alcohol filling their after-school evenings and hot desert nights. It’s only when Theo’s father dies, drunk after piling up bad debts and ploughing his car into a truck, does Theo decide to get back to New York and to the antique store which offered the only stability after his Mother died. But further tragedy awaits; the worry of the painting re-surfaces, and his return home fails to put him back on the right track.
Though Theo’s story is tragic – full of guilt, regret and unhealthy obsessions – we are swept up so vividly in Tartt’s descriptions that it never becomes maudlin. Though we lose hope in his family, we see that the kindness of strangers could rescue him from the “brackish wreck” that his grief places him in and we leave our narrator in the philosophical acceptance that “fate is cruel” but “life – whatever else it is – is short”.
With vivid characters, settings you can see and almost feel, and layered descriptions that immediately convey the pictures of Tartt’s imagination (“The breeze was as heavy as teakettle steam”, “flat-pad fingers”), The Goldfinch is a fast-paced novel that immerses you in Theo’s world from the opening sentence and will stay with you long after you’ve finished. This long-awaited novel from the author of bestselling novels The Secret Historyand The Little Friend does not disappoint.